Artistic residencies 2023-2024: Incorporate. On the vulnerable or how to flesh out knowledge.

Incorporate. On the vulnerable or how to flesh out knowledge.

The project “INCORPORE, de lo vulnerable o de cómo carnalizar el conocimiento”, is based on a dialogue between the body and the Mudejar heritage space, through dance, using different techniques and skills, dance/theatre, performative installation, creative writing, improvisation…

This project encompasses two parts, directly related to its objectives, which are: artistic creation, linked to and inspired by a territory (physical/emotional/imaginary/concrete), and dissemination, through creation, with a danced conference, which reflects the above, and through interaction with local populations, by means of open activities, which complete the research in the territory in order to not only access it as an object to observe, but as a subject with which to interact. To this end, the proposal includes a workshop and two dance walks that enable these relations of exchange of knowledge between people, physical spaces and common places.

In the project, the body becomes an active agent of observation through walks, contemplation, site-specific dance experiments, tasting of typical products, to achieve an approach to the psychology of the landscape, that is, to observe the behaviour of the environment and the processes that occur in it, in relation to what we understand as heritage, and which is identified in the form of monuments, urban layouts, natural environment and intangible culture.

The localities on which the project focused were mainly Calatayud, Daroca and Aniñón.

The work methodology is based on observing the environment to discover the possibilities offered by it, by means of walks, since, as it is a project for the body, it is very important to take the space to the body, to walk it, to walk through it, to draw it, to discover the weavings of the streets, the geographical features, the smells, to see the people who live in or pass through the spaces, to visualise the panoramic views.

She has had an important and constant phase of bodily preparation. In addition to walking, the author’s body was prepared with a series of exercises of different techniques – yoga, pilates, dance – breathing exercises and conscious movement, in order to keep the body open to stimulus and available to creativity.

Once the most suitable spaces for the project had been located, a series of movement practices were carried out in them.

The objectives and expected results of the project were as follows:

  • Creation of a series of video clips showing the narratives embroidered during the project, so that they can be a work of artistic dissemination inspired by the territory visited. These clips will form materials that can be projected in different spaces, as an exhibition, as a conference, as an installation, accompanied by panels with photographs and explanatory texts.
  • The creation of a performance piece based on all of the above.

LINE OF RESEARCH: New perspectives on Mudejar art.

AUTHOR: Patricia Álvarez

Artistic residencies 2023-2024: Mudéjar pottery

Mudejar clay

The “Mudéjar Mud” project investigates the capacities of this material from its natural state to its manufacturing process and the elaboration of pieces for use or application in architecture.

Clay is the basis of Aragonese Mudejar construction, which, through its working process to achieve brick and glazed ceramics, become identifiers of our architecture and, therefore, shapers of our identity.

Using and investigating the quarries and the process of elaboration of the material, the project aims to establish certain conclusions about the constructive possibilities of the material and the differences and similarities that it has depending on the territory in which we find ourselves.

The localities in which work was carried out during the investigation were San Mateo de Gállego, Zuera, Villamayor de Gállego, Alagón, Fuentes de Ebro, Quinto, Torralba de Ribota, Aniñón, Sabiñán, Cervera de la Cañada, Ateca, Calatayud, Maluenda, Terrer, Belmonte de Gracián, Morata de Jiloca, Villafeliche, Mainar, Villarreal de Huerva and Tobed.

The methodology used begins with the search for quarries and locations where to extract the clay and pigments with which to work for the construction and decoration of the pieces, the analysis of plasticity of the samples “in situ”, the extraction of the most plastic clays and processing, the sieving and hydration of the clay, the test of plasticity, the firing to determine its deformation and porosity, the drafting of the conclusions of the analysis and the selection of the most suitable clays for the project, the construction of the pieces, the study of the most suitable clays for the construction of the pieces, the plasticity test, the firing to determine its deformation and porosity, the drawing up of the conclusions of the analysis and the selection of the most suitable clays for the project, the construction of the pieces, the study of the technique depending on the characteristics, which can be lathe, pinch, slabs or casting on moulds.

The expected results of this research process are intended to be reflected in the creation of a series of ceramic pieces inspired by Mudejar art.

The project’s objectives were as follows:

  • Use of local materials. Clays and pigments collected in the geographical area of the Mudejar territory.
  • To study the Mudejar heritage, analyse its forms and the patterns used, being the basis of inspiration for the creation of ceramic pieces.
  • To learn about other types of Mudejar and traditional ceramics existing in the localities.
  • Identify the existence of potteries, tile kilns or brick factories close to the villages where the construction material for their buildings and the ceramic elements that make them up may have come from.
  • Document testimonies of local craftsmen or people who may have worked in local potteries or tile kilns.
  • Involve local people in the search for sample locations.
  • Involve the local population in the activity “earth and colour walks”, so that they can learn about the process followed and the resources used.

LINE OF RESEARCH: New perspectives on Mudejar art.

AUTHOR: Javier Seral

Research stays 2023-2024: Reading the Mudejar: Arabic inscriptions in Aragonese medieval churches (13th-15th c.)

New Perspectives on the Mudejar. Arabic inscriptions in medieval Aragonese churches (13th-15th century).

The project “New views on the Mudejar. Arab inscriptions in Aragonese medieval churches (13th-15th centuries)” project was born with a transcultural vocation and approach. Only in this way can the study of Arabic inscriptions in non-Islamic contexts contribute new and stimulating data to an ongoing line of research: that of artistic transfers between Al-Andalus and the Christian peninsular kingdoms.

With these premises in mind, the present project proposes to study the painted Arabic inscriptions preserved in medieval Aragonese sacred and funerary interiors, with special attention to those present on wooden roofs and choir windows between the end of the 13th century and the first half of the 15th century.

This chronological range is designed to answer certain questions: what Arabic formulas or mottos have survived over time? Why are certain eulogies and doxologies selected from the Andalusian epigraphic repertoire? What role did the Christian social elite play in this process of assimilation?

The localities and buildings to be analysed include the church of La Virgen de Tobed, the church of San Félix in Torralba de Ribota and the church of Santa María de Maluenda.

The methodology that will be applied to carry out the project will consist of bibliographic research and consultation of heritage archives such as the Mas Archive (Casa Ametller Barcelona), the General Administration Archive (Alcalá de Henares) and the Provincial Historical Archive of Zaragoza (state of the churches between the 19th and 20th centuries). It will be completed with a second phase of research stay for field work among the towns that make up the Mudejar Territory for the in situ study of their medieval wooden structures and Gothic paintings.

The expected results include the creation of an on-line and Open Access Digitorial, a virtual exhibition of immersive experience, programmed by professional computer scientists, which will integrate the texts and images generated in the research. It will include spin-off activities such as the communication of the research results in conference format, which could be complemented by on-site visits.

The project’s objectives were as follows:

  • To create a digitory of the Arabic inscriptions present in Aragon’s medieval artistic and historical heritage.
  • To provide a critical edition of these Arabic inscriptions (description of the monument, identification of the inscription, palaeographic description and transcription, bibliographical research).
  • Interrelating certain Arabic inscriptions with the presence of Muslim craftsmen and master builders documented in medieval Aragonese factories.
  • To dismantle certain historiographical clichés linked to the discourse on Mudejar art in the 19th and 20th centuries.
  • To bring the study of medieval epigraphy closer to the non-specialist public.

LINE OF RESEARCH: New perspectives on Mudejar art.

AUTHOR: Mar Valls

Research stays 2023-2024: New narratives on Mudejar heritage aimed at the public of knowledge and spiritual tourism in a global way.

New narratives about Mudejar heritage aimed at the public of knowledge and spiritual tourism in a global way.

Al Andalus is, in the contemporary Islamic world, a great cultural reference point. However, it is often identified with Andalusia, despite the great Islamic heritage spread throughout the peninsula.

The project seeks to make the Andalusian territory visible beyond the current autonomous community of Andalusia and, specifically, the great Mudejar and Moorish heritage of Aragon for the Muslim tourist, based on a new form of Knowledge Tourism, of higher quality, centred on heritage, its narratives, its history and its contemporary heritage.

The recent demand for this type of tourism on the part of Muslim tourists, as well as the appearance of new products, services and companies dedicated to it, means that this sector could become a mainstay of development for the towns that make up the Territorio Mudéjar Association.

Considering previous experiences and conclusions obtained from the project developed in 2022, it is proposed to carry out a communication project for the target audience (Muslim tourists and knowledge tourists). This involves generating narratives in an appropriate audiovisual language for subsequent dissemination on social networks and other media to inform the target audience about the heritage and tourism opportunities offered by Territorio Mudéjar.

The research stay was carried out in Calatayud, Morata de Jiloca, Torrellas and Tarazona.

The working methodology was based on field visits and on-site interviews, video recording and the generation of narratives.

The project’s objectives were as follows:

  • Generate narratives and audiovisual materials for dissemination, focusing on Mudejar Territory: heritage, landscape, people.
  • To disseminate and help to visualise Mudejar Territory as a Muslim-Friendly and Knowledge-Friendly tourist destination.
  • To raise awareness of the potential of Muslim Friendly Tourism among the population of the selected sites and tourist assets in the province.
  • Reinforce the presence of Territorio Mudéjar in dissemination channels such as Red de Medinas and Turespaña.
  • Reuse audiovisual materials (sounds, videos) already generated in previous projects and stays.

LINE OF RESEARCH: New perspectives on Mudejar art.

AUTHOR: Dr. Bárbara Ruiz Bejarano

Artist in residence 2023-2024: The wall as dermis. Light in the Mudejar II.

The wall as dermis. Light in the Mudéjar II

The project “The wall as dermis. Light in the Mudéjar II” is the second phase of a project of the same name, which studied the Mudéjar as a screen for the projection and manifestation of light as a vehicle for the manifestation of divinity.

On this occasion, the project has focused on the study of filtered light in sacred Mudejar spaces and its transcendence in space and time, an aspect that is approached from the point of view of artistic creation.

The documentation that has been handled from the philosophical, anthropological and art-historical point of view refers to studies carried out on Islamic architecture from the point of view of the traditional foundations that come into play, as well as the valuation of the sacred versus the profane and its expression on a general level, an approach that is applied to Mudejar art.

The intention of the project is to artistically demonstrate the materialisation of filtered light and its incidence on ornate Mudejar interior walls, how it evolves and manifests its ephemeral presence, where it is reflected and what symbolic meaning it holds, investigating various artistic possibilities that facilitate its understanding and experience; analysing the quality of the light and the materials that receive it, its incidence and presence, as well as the circumstances that lead to perceiving light as a reality suspended at a specific moment in time in the face of the hegemony of light.

The monument and the main location where the project is to be carried out is the church of the Virgen de Tobed.

The methodology is based on the observation of light, taking into account the variables of space and time and recording the evolution of the planes of light projection.

Subsequently, an audiovisual recording was made. The aim was to generate a documentary that would bear witness to the information on light variation at key moments in its development.

The project also addresses a public awareness and social function phase by using the project to carry out various activities.

The project’s objectives were as follows:

  • Experiencing the Mudejar by observing the light.
  • To value the use of contrast as a key to the creative process.
  • To use the cladding materials of Mudejar architecture in the priming and creation of the works.
  • To investigate with materials that generate material sensations similar to the original materials and to demonstrate their interaction with light.
  • Using the artistic gaze as a means of transmitting research and disseminating the territory.
  • To generate reflection on the spiritual and symbolic message of Mudejar architecture.
  • Introduce digital video documentaries and photographic images as a communication strategy.
  • Facilitate access to the knowledge and experience gained.

LINE OF RESEARCH: New perspectives on Mudejar art.

AUTHOR: Pilar García Verón

Territorio Mudéjar awards three stays and three artistic residencies for innovative projects that promote the conservation and use of Mudejar heritage in rural areas.

The Gonzalo M. Borrás Gualis stays to develop pilot projects will last six months and almost 15 villages, out of the 48 partners, will receive expert visits from the researchers.
Territorio Mudéjar has awarded three research stays and three artistic residencies aimed at supporting the work of researchers and project promoters who want to work on the development of villages through the responsible and sustainable use of cultural and natural heritage resources. This is the fifth edition of the Gonzalo M. Borrás Gualis research stays and projects and both the stays and the artistic residencies.
The projects selected range from research into new models of spiritual or religious tourism away from overcrowding, the study of painted inscriptions in Mudejar art, symbolism in our heritage, Mudejar ceramics, light in Mudejar spaces and dance and space from an artistic point of view.
These projects are in addition to the 23 from previous editions and the nearly 50 professionals who have formed the network of researchers of the stays since they were launched in 2019 and have provided new perspectives on the management of Mudejar heritage, have had a positive impact on the villages and have promoted an interdisciplinary work network. In addition, specifically, they have improved knowledge of the Mudejar as a World Heritage Site and the benefits it brings as an international brand recognised by Unesco.
The projects selected for Research Stays are:
  • New narratives on Mudejar heritage aimed at the public of knowledge and spiritual tourism in a global way. The author is Bárbara Ruiz Bejarano, PhD in Arabic and Islamic Studies (University of Alicante and Las Fuentes Foundation). This research project is part of the line “Strategic management of Mudejar heritage. Cultural landscape and urban landscape” and aims to generate dissemination narratives about the territory and research on a muslim-friendly, religious and knowledge tourism that adapts to the reality of the Mudejar heritage and its villages.
  • Reading the Mudejar: Arabic inscriptions in medieval Aragonese churches (13th-15th centuries). The author is María del Mar Valls Fusté, PhD in art history (Rovira i Virgili University) and the research project is part of the “New perspectives on Mudejar art” line. The project aims to study the inscriptions in Arabic preserved in medieval Aragonese interiors, with special attention to those present on the wooden roofs and alfarjes of Mudejar buildings.
  • Aesthetics and symbolism in Mudejar heritage. The author is Estrella Noguera Iturralde, philosopher and master in ancient world and archaeological heritage (Basque Public University and University of Zaragoza). It is part of the line “New views on Mudejar art” and studies the symbolism in the ornamental object of Aragonese Mudejar buildings from the point of view of art history and philosophical aesthetics.
The selected artist residencies are:
  • Mudéjar clay, by Javier Seral Posac, industrial designer, engineer in industrial organisation and senior technician in artistic ceramics. Mud is the basis of Mudejar construction and the author intends to use it to create pieces that reflect the Mudejar tradition and inspiration in the transformation of mud into ceramics. The residency will consist of the search for quarries, analysis of the plasticity of the samples, extraction of the clays and construction of the pieces.
  • The wall as dermis. Light in the Mudéjar II by the artist and visual arts researcher Pilar García Verón (Complutense University of Madrid). This residency continues the stay that the author carried out in 2022-2023 and studies the Mudejar as a screen for the projection and manifestation of light as a manifestation of divinity. On this occasion, she studies the filtered light of Mudéjar sacred spaces and its transcendence in space and time.
  • Incorporate. On the vulnerable or how to channel knowledge by Patricia Álvarez Álvaro, a graduate in Arabic Philology (Universidad Autónoma de Madrid) and trained in dance and dramaturgy of the image. This residency is based on a dialogue between the body and the Mudejar heritage space, through dance, using different techniques and skills: dance, theatre, performative installation, creative writing…

Territorio Mudéjar announces a new edition of its research stays to promote projects related to heritage in rural areas.

¿Te gustaría trabajar en el aula con materiales educativos en torno a la identidad mudéjar de los pueblos? ¿Entiendes el espacio patrimonial como un espacio de aprendizaje innovador?

En las próximas semanas dará comienzo la primera acción del proyecto “Circular por la escuela rural”, un curso de introducción al proyecto en el que Territorio Mudéjar ofrece a los interesados en vincular educación, patrimonio e innovación conocer el punto de partida y la metodología con la que se trabajará hasta mediados del 2022 junto a siete de los grupos de desarrollo local de la provincia de Zaragoza coordinados por el grupo ADRI Calatayud Aranda.

“Circular desde la Escuela Rural” es un proyecto de cooperación entre grupos de desarrollo rural coordinado por el grupo ADRI Calatayud-Aranda, junto a Cedemar, Adefo Cinco Villas, Asomo Moncayo, Adrae Comarca Ribera Alta del Ebro, Fedivalca y Adri Jiloca Gallocanta, y financiado por el Gobierno de Aragón, desde el programa Leader, y la Diputación Provincial de Zaragoza a través de la asociación Territorio Mudéjar, como entidad privada colaboradora que dirige la puesta en marcha y ejecución de la iniciativa.

El objetivo es desarrollar materiales educativos en torno a la identidad mudéjar de los pueblos poniendo como centro del proyecto a las escuelas rurales y a la comunidad educativa de los pueblos con una triple finalidad:

◾️Trabajar en la introducción de la identidad patrimonial mudéjar en los programas de trabajo de las escuelas más allá de las áreas artísticas o complementarias.

◾️Implicar a la comunidad educativa en la valoración del patrimonio mudéjar como parte de su historia personal lo cual favorece el conocimiento, la conservación y la difusión de la identidad de las localidades.

◾️Utilizar el trabajo realizado en las escuelas como material de difusión y uso turístico sobre el patrimonio mudéjar de los pueblos para un público familiar e infantil.

🔺 En el CURSO explicaremos la metodología de trabajo y los resultados del proyecto piloto que se llevó a cabo en el CRA Vicort Isuela en el curso 2018-2019 y que supone el punto de inicio para la implantación del proyecto en las escuelas de los pueblos de Territorio Mudéjar.

Los encargados de impartirlo serán Laura Castejón y Víctor Gumiel, maestros que llevaron a cabo el diseño y prueba del proyecto piloto, y Victoria E. Trasobares, directora de Territorio Mudéjar y con amplia experiencia en gestión e implantación de proyectos de gestión de patrimonio mudéjar en ámbito rural.

El Departamento de Educación lo ha incluido como curso homologado en su catálogo de actividades de formación permanente del profesorado y reconoce las horas de formación.

El curso se desarrollará telemáticamente a través de la plataforma digital de trabajo de la entidad que habilitaremos para la formación específica.

Información sobre el curso: https://mcusercontent.com/…/c70fb223…/CURSO_CIRCULAR.pdf

Solicitud de inscripción:

Opción 1: Si dispones de certificado o firma electrónica https://doceo.catedu.es/…/portadaInitConsultarActividad…

Opción 2: Si no dispones de certificado o firma electrónica escribe un mensaje a: info@territoriomudejar.es

Información sobre el proyecto: https://mcusercontent.com/…/9591a…/PROYECTO_CIRCULAR.pdf

 

Si tienes dudas o quieres consultarnos cualquier asunto particular puedes llamarnos al teléfono 876 634 125 o escribir un correo electrónico a info@territoriomudejar.es

 

RULES CALL FOR PROPOSALS: Research stays and projects 2023

5th Call for researchstays for artistic projects and residencies “Gonzalo M. Borrás Gualis”.

Deadline for submission: Until 31 August.

Territorio Mudéjar announces the FIFTH EDITION of the Gonzalo M. Gonzalo M. Borrás Gualis researchstays and projects. Borrás Gualis aimed at directly supporting the work of researchers and project of researchers and project promoters who want to work on the development of the to work for the development of villages through the responsible and sustainable use of cultural and natural heritage resources. and sustainable use of cultural and natural heritage resources.

Territorio Mudéjar is an association of town councils, currently thirty-six member town councils and one collaborating partner, whose objective is to consolidate a unified and collaborative management network for the use of the historical and artistic resources linked to the important Mudejarartistic resources linked to the important Mudejar heritage , understanding them as a driving force for the development of the villages and as an and as an element of identity for the maintenance of the communities that make up our territory.

Our programme of actions for the coming years has been designed in accordance with the strategic lines defined by the defined by the ” Roadmap of the Council of the European Union 2019- 2022″, which2022″ which, aligned with the goals of the 2030 Agenda, have as a guiding principle that “the cultural identity of territories will contribute to territories will contribute to sustainable social and economic development by differentiating markets and in turn allowing their integration into a diversified a diversified economy that can ensure their future success.

The projects carried out since 2019 have strengthened this initiative as one of our initiative as one of our most important lines of of our most important lines of work based on the development of actions that enhance the retention and attraction of talent, actions aimed at the construction of highly qualified professional networks networks linked to the use of historical, artistic and cultural resources , contributing to medium- and long-term territorial development.artistic and cultural resources , contributing to medium and long-term territorial development.

Our project, dedicated to Professor Gonzalo M. Borrás Gualis, a staunch defender of the management of Aragonese heritage and the territory, as an action of the people and as an innovative field of work full of future. His work exemplified with perfect coherence the possibility of combining research work of high scientific impact with a commitment to the land and its people, not only favouring the knowledge, conservation and dissemination of its historical and artistic heritage, but also modernising work processes and proposing innovative projects in which natural, cultural and heritage resources are a key element in the future of the people.

FOCUS
Transdisciplinary thinking as a tool for innovation.

DIGITALISATION = STRATEGIC TOOL

The management of historical, artistic and cultural heritage is evolving rapidly thanks to digital technologies. The challenge now is to apply a strategic vision to these processes and the unprecedented opportunities offered by new technologies, and to use them in the most and the unprecedented opportunities offered by new technologies and to use them in the most efficient way possible, ensuring that the efforts efficient way possible , ensuring that the efforts made at this time of “boom ” have a long “boom” are sustainable over time and allow for the development of future projects.

Therefore, one of the criteria being continued this year is that all deliverables in a digital version (photographs, photographs, videos, etc.) must year is that all deliverable products in digital version (photographs, videos, digital models, audio files, etc.) must be videos, digital models, audio files, etc.) comply with the study Study on quality in 3D digitisation of tangible cultural heritage: mapping parameters, formats, standards, benchmarks, methodologies, and guidelines  published in 2022 and follow the lines of work indicated in the recommendation of 10/11/2021 on a common European data space for cultural heritage , thus adapting the quality criteria in this way quality criteria established in the in the DigitalisationStrategy of Territorio Mudéjar.

This strategy is in line with the latest recommendations of the European Commission and also takes into account, the standards of the most commonly used platforms and repositories such as Europeana and such as Europeana or Google Arts.

All the beneficiaries of the aid will receive information and training on the the DigitisationStrategy of Territorio Mudéjar during the first phase of their the first phase of their project and they will have a specific continuous specific ongoing monitoring during its development to help them comply with it.

ARTISTIC RESIDENCY. THE PLACE WHERE PROJECT IDEAS ARE BORN

Territorio Mudéjar is emerging as a place of action and creativity from areas often place of action and creativity from areas that are often ordered and differentiated and differentiated areas that often dissolve boundaries and take us to places that are complex to manage.

This workspace allows us to work on the concept of ” artisticresidence “ with the aim of understanding the heritage space and the context in which it is located as a multifaceted space. to understand the heritage space and the context in which it is located as a polyhedral space, promoting artistic creation projects with a strong link to the territory, the landscape and/or the heritage space.

This area is oriented towards research, experimentation, exchange, learning, critical reflection and the dissemination of local practices and knowledge, through dialogue between artisticresearch, communities, territory, places and non-places.

The aim is to generate the opening of new processes and directions of knowledge to explore new paths; to encourage creative thinking by generating spaces for dialogue and starting points between art, science and technology from artistic practice with a view to the development and maintenance of the people and their inhabitants.

FUTURE: CALL FOR EXCHANGES OF EUROPEAN PROFESSIONALS

The activity started in 2019 has been consolidated as one of the most important actions of our one of the most important actions of our entity , which strategy called R&D+innovation, with 23 pilot projects involving more than 40 involving more than 40 management professionals.

The project has been considered as an exemplary case study by the Ministry of Culture and Sport at the of Culture and Sport at the Meeting of World Heritage Managers 2022, held in Granada, which is held every year.

It has also been considered asan example of innovation and good practice in various best practices in various European cooperation projects. In this aspect, we must highlight the positioning of our entity, through the Estancias project, in the Interreg Europe project MOMAr Models of Management for Singular Rural Heritage, in which our project has been chosen by the government of the province of Groningen and the Libau Fondation as a reference model for their Heritage Lab project. Groningen and the Libau Fondation as a reference model for its Heritage Lab project, at the heart of its action plan.

With the aim of building international professional networks, we will soon announce the opening of different international networks , we will soon be announcing the opening of different calls for applications designed on the basis of different framework agreements with partners such as the Chamber of Commerce of the provinces of South Sardinia and Oristano, on the Italian island of Sardinia, the province of Groningen, in the Netherlands, through the “Heritage Lab” project, or with the Medinas Network, in the framework of an international partnership.

Research and projects

TERMS AND CONDITIONS

SUBMISSION OF PROPOSALS. Until 31 August

TOPICS: Pilot projects

  • New perspectives: Research, tools, applied data, etc.
  • Strategic management: Ideas linked to strategic management.
  • Communication and social function: didactics of heritage, language and communication, audiences, etc.

AMOUNT: €7,500

DURATION OF THE SCHOLARSHIP: Between 4 and 7 months.

OBLIGATIONS: To plan a non-continuous stay or residence in one or several localities from among the Territorio Mudéjar partner town councils. It will be assessed according to the project proposal.  

ARTISTIC RESIDENCIES

TERMS AND CONDITIONS

SUBMISSION OF PROPOSALS. Until 31 August

TEMAS: Creative Workshop

  • Artistic creation and research: materials, crafts, etc.
  • Sound, acoustics, speech, looking and listening.
  • Virtual space or metaverse.

AMOUNT: €4,500

DURATION OF THE RESIDENCY: The proposal must include a residency in a locality of. Territorio Mudéjar for a duration of between 30 and 60 days.