Sound contexts and Mudejar art, an incipient approach from the “historically informed interpretation” (16th-18th centuries): echoes of the past and future project.
The research stay explored the artistic possibilities offered by Mudejar spaces through musical practice, specifically through Early Music and “historically informed interpretation”.
The project, developed together with “El Kappa Producciones”, has made it possible to collect diverse data related to the acoustics of the churches of Santa María de Tobed and Santa Tecla de Cervera de la Cañada, as well as the Casa de la Estanca de Borja (taking measurements and recordings, accompanied by their respective analysis and subsequent study) and, on the other hand, to propose, in a reflexive manner, based on the compilations and interpretations made, different musical projects, whose realization in a Mudejar context would enable the generation of new artistic contexts, associated, of course, to the heritage (tangible and intangible), but which, in turn, given the interdisciplinary nature, would contribute to artistic innovation in the rural environment through Mudejar art and its possibilities in musical terms, with a multidisciplinary perspective.
The objectives of the project have been the following:
- Select a repertoire related to each space and its characteristics with which to analyze the artistic possibilities of each space through different sound planes.
- Work with< instruments contextualized to the artistic context of the object of study such as recorders, organ and viola da gamba, to extract data for analysis.
- From a strictly musical point of view, working with the musical production of the periods closest to architecture and space, which would have similar application in other aesthetic contexts – Renaissance, early Baroque and late Baroque – to study the realization of a work (and sound experimentation) with radically different repertoires such as contemporary music, other instrumentations and even electronic media.
The results have favored the knowledge of the sound possibilities of the Mudejar architecture that has come down to us with hardly any transformations, gathering a set of sound archives that serves Territorio Mudéjar to create an incipient set of its own recordings that may form part of the documentary corpus for research that is being built.
The church of Santa María de Tobed, Santa Tecla de Cervera de la Cañada and the Casa de la Estanca, a surprising civil space in the middle of nature for a 16th century water management use, have provided valuable sound documents that we have considered the zero phase of our own project of sound management of the Mudejar space in order to approach a strategy of cultural activities based on music in heritage spaces.
The results, sound objects in themselves, can be heard and seen on our youtube channel.
LINE OF RESEARCH: New perspectives on Mudejar art.
AUTHORS: Carlos Bonal Asensio, Miguel Bonal Asensio, Carlos González Martínez.




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