Estancias 2022: Sound contexts and Mudejar architecture.

Sound contexts and Mudejar art, an incipient approach from the “historically informed interpretation” (16th-18th centuries): echoes of the past and future project.

The research stay explored the artistic possibilities offered by Mudejar spaces through musical practice, specifically through Early Music and “historically informed interpretation”.

The project, developed together with “El Kappa Producciones”, has made it possible to collect diverse data related to the acoustics of the churches of Santa María de Tobed and Santa Tecla de Cervera de la Cañada, as well as the Casa de la Estanca de Borja (taking measurements and recordings, accompanied by their respective analysis and subsequent study) and, on the other hand, to propose, in a reflexive manner, based on the compilations and interpretations made, different musical projects, whose realization in a Mudejar context would enable the generation of new artistic contexts, associated, of course, to the heritage (tangible and intangible), but which, in turn, given the interdisciplinary nature, would contribute to artistic innovation in the rural environment through Mudejar art and its possibilities in musical terms, with a multidisciplinary perspective.

The objectives of the project have been the following:

  • Select a repertoire  related to each space and its characteristics with which to analyze the artistic possibilities of each space through different sound planes.
  • Work with<  instruments contextualized to the artistic context of the object of study such as recorders, organ and viola da gamba, to extract data for analysis.
  • From a strictly musical point of view, working with the musical production of the periods closest to architecture and space, which would have similar application in other aesthetic contexts – Renaissance, early Baroque and late Baroque – to study the realization of a work (and sound experimentation) with radically different repertoires such as contemporary music, other instrumentations and even electronic media.

The results have favored the knowledge of the sound possibilities of the Mudejar architecture that has come down to us with hardly any transformations, gathering a set of sound archives that serves Territorio Mudéjar to create an incipient set of its own recordings that may form part of the documentary corpus for research that is being built.

The church of Santa María de Tobed, Santa Tecla de Cervera de la Cañada and the Casa de la Estanca, a surprising civil space in the middle of nature for a 16th century water management use, have provided valuable sound documents that we have considered the zero phase of our own project of sound management of the Mudejar space in order to approach a strategy of cultural activities based on music in heritage spaces.

The results, sound objects in themselves, can be heard and seen on our youtube channel. 

LINE OF RESEARCH: New perspectives on Mudejar art.

AUTHORS: Carlos Bonal Asensio, Miguel Bonal Asensio, Carlos González Martínez.

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Rooms 2022: The wall as dermis. Light in the Mudejar.

The wall as dermis. Light in the Mudéjar

This project studies the ways in which light affects and evolves on the walls of certain churches in various towns belonging to the Mudejar Territory network that combine different types of materials on their façades, the aim being the plastic development of an artistic project.

The project The wall as dermis. Light in the Mudéjar is an artistic proposal that, based on the symbolic and metaphysical concepts of light, shadow, unity and ephemerality, highlights the highest function of Mudejar art: to highlight the presence of the divine.

In total, a collection of 25 works has been created in different media and techniques that propose a journey around the idea of the dematerialisation of the wall in reference to the architectural elements of the Mudéjar style (plasterwork, ceramics and flattened bricks), differentiating their study from different points of view:

  • As free-standing construction elements (analysis of the original parts and those intended for restoration).
  • Integrated into the environment and perceived as a whole.

The working methodology was based on the direct observation of the evolution of light on the chosen façades, of which a photographic and stop-motion record was made, from the analysis of which the pictorial process was derived in three intertwined phases: approaching the question, analysis of materials and conclusions.

The research visit was carried out in the church of San Martín de Tours in Morata de Jiloca, in the church of Santa María in Tobed and in the tower of the church of Nuestra Señora de la Asunción in Utebo.

The working methodology was based on the direct observation of the evolution of light on the chosen façades, of which a photographic and stop-motion record was made, from the analysis of which the pictorial process was derived in three intertwined phases: approaching the question, analysis of materials and conclusions.

The resulting collection of works will be the subject of various exhibition projects over the coming months.

The project’s objectives were as follows:

  • To artistically demonstrate the phenomenon of the dematerialisation of the wall, focusing on the elements that influence it.
  • To value the use of contrast as a key to the creative process, both in Mudejar architectural construction and in pictorial practice.
  • Experiment with the use of Mudejar architectural facing materials in the priming and creation of the works, such as wood and plaster.
  • Experiment with materials that generate material sensations similar to the original materials and demonstrate their interaction with light.
  • To promote awareness of the richness of Mudejar art.
  • To develop a pictorial project that encourages identification with the Mudejar heritage.
  • To generate reflection on the spiritual and symbolic message of Mudejar architecture.

LINE OF RESEARCH: New perspectives on Mudejar art.

AUTHOR: Pilar García Verón

Rooms 2022: Mudejar RGB

Mudejar RGB

The proposal is framed within the objectives of a Creative Laboratory in which the geometric elements used on the exterior of the main Mudejar churches in the Calatayud area were studied in order to obtain a series of “motifs” that have subsequently been taken as a reference for future artistic interventions in museums and art galleries. The most representative geometric elements have been photographed and, using these references, the drawings and sketches that will serve as the basis for the large-format interventions have been designed.

In this way, the elements taken directly from Mudéjar art become a source of artistic thought that allows bridges and connections to be established between the art of the past, historical and artistic heritage, and the art of the present, being applied directly in the production of the researcher’s own creative work and making the project grow in both conceptual and formal interest.

The localities in which the stays have been carried out and whose heritage has been worked on are: Ateca, Terrer, Calatayud, Maluenda, Morata de Jiloca, Belmonte de Gracián, Cervera de la Cañada and Torralba de Ribota.

The work was carried out in four phases. After the taking of photographs and the appropriate bibliographical review, the selection (with a catalographic approach) of the geometric motifs that make up part of the work developed as a documentary and graphic archive followed. The third phase focused on the design of the motifs for the interventions and the fourth and final phase focused on the design work for the interventions to be carried out in the exhibition halls and museums during the 2023 and 2024 season.

The project’s objectives were as follows:

  • To obtain a series of geometric “motifs” to serve as a reference for future artistic interventions.
  • Designing drawings and sketches to serve as a basis for large-format works.
  • Establish bridges and connections between the art of the past, historical-artistic heritage and the artistic actions of the present.
  • To disseminate the Mudejar heritage through artistic thought and intervention.
  • Create citizen participation so that the public can learn first-hand about the geometries and motifs used.

LINE OF RESEARCH: Laboratory for artistic residencies. Mudéjar Territory as a space of thought to explore new paths through artistic thought”.

AUTHOR: Victor Solanas Díaz

Stays 2022: Mudejar landscape. Dynamics, processes and strategies.

Mudejar landscape. Dynamics, processes and strategies.

Paisaje Mudéjaris a project that investigates the relationship between landscape and historical heritage, the trace of human intervention that transforms the landscape in the localities of the Rambla del Ribota. Through a series of cartographic analyses , the result of travelling around the towns and developing their photogrammetric models, the fundamental landscape elements and phenomena are identified. Based on this study, a guide and propositive cartographies are drawn up with the aim of improving the landscape at different scales and time phases, following the contemporary theories of landscape architecture.

Historical heritage is one of the most valuable treasures of a society. It represents the history, traditions and culture of a region or country. However, the fundamental role that landscape can play in the conservation and enhancement of this heritage is often overlooked. It is a key element in the perception of historic heritage and can significantly enhance people’s understanding and enjoyment of it.

This paper aims to collect several contemporary landscape theories together with the analysis plans and apply them to the three populations under investigation.

The set of measures proposed understand the landscape as a key resource for the conservation and enhancement of the historical heritage. They have been designed taking into account that they can represent opportunities for the development of the territory and that their implementation requires a moderate investment.

The main idea and guiding thread of these strategies is to create a landscape fabric that connects the villages around the natural landscape and the existing historical heritage, conserving and reinforcing the forests and vegetation of the area by relying on its natural and artificial watercourses.

The results have focused on a series of proposals for intervention at two levels: territorial and local.
  • The most effective way of weaving the green structure is born in the most powerful element of the landscape: the river Ribota as a space to reinforce and extend the riverside vegetation and to extend the greenway along the old railway line as a great biological corridor.
  • Connecting localities through the topography of the area which, with the exception of some small hills, descends into the valley through ravines, irrigation channels and streams.
  • Use the concept of Third Landscape: reinforce the landscape character of boundaries, unused plots or abandoned infrastructures, which are often places of native vegetation reserves, rich in biodiversity and markers of uniqueness.
Having addressed the territorial scale, we move on to define the proposals for the local scale.
These are subordinate to the previous ones, draw on the same influences and have the same objective. However, the approach is more thorough and detailed, which makes it possible to include measures specific to this dimension. As in the territorial scale, the intervention proposal at this scale is made up of several actions:
The first is based on the idea that all the localities should form part of a territorial green structure. Biological continuity is lost when we reach the villages, given their materiality and urban morphology; so that this does not happen, we propose to continue the landscape by integrating it into the limits of each locality with a green ring.

LINE OF RESEARCH: New perspectives on Mudejar art.

AUTHORS: Javier Montori. Esteban Lahoz

Estancias 2022: Prevention and conservation through urban planning

Prevention and conservation from urban planning. Development of a tool for the protection of traditional architecture: the case of Alpartir.

This research stay brings together the results of a project developed in the previous call, which analysed the protection framework that the urban planning of several towns in the Mudejar Territory entailed for the conservation of their traditional architecture, and specifies its practical application through the piloting of a reference document centred on the town of Alpartir.

For this study, we have analysed in detail the existing traditional architecture in the locality, defining its state of transformation and identifying all those vernacular constructions that are worthy of protection by local planning, and we have reviewed this planning in depth, evaluating the influence of each of its provisions on them.

Based on this analysis, a model tool has been generated, in the form of a white paper, which lists the areas of the municipal regulations that can be revised to improve their influence on the vernacular heritage, enhancing its conservation, compares them with the equivalent headings of other general plans in the area and proposes a complementary and alternative wording. Similarly, it proposes an extension of the catalogue of protections to include the best examples of local traditional architecture, with an exhaustive cataloguing form specifically oriented towards the protection of the constructive characteristics that make it valuable.

In total, the reference document developed proposes the revision or addition of 28 articles in the Urban Development Regulations of the General Plan and proposes the incorporation of 25 elements and ensembles to the Catalogue of Protections, establishing a protection regime for each of them.

Based on these observations, the main aim of the proposed project is to generate, through a pilot study centred on the town of Alpartir, a model tool that will enable the implementation of criteria and strategies for the protection of traditional architecture in urban planning.

In doing so, it aims to meet the following general objectives:

  • To promote the appreciation of traditional architecture in the sphere of influence of Aragonese Mudejar art, encouraging the perception of traditional construction techniques and elements as a valuable cultural heritage that must be preserved and protected.
  • To promote the conservation, restoration and compatible rehabilitation of traditional architecture, offering tools adapted to the specific casuistry of the area of influence of Aragonese Mudejar architecture.
  • Promote coordination between municipal administrations and private sector initiatives to develop flexible and conservative interventions.
  • Promote the regeneration of the rural territory through its heritage, proposing alternative uses beyond the tourist sector and offering tools that allow the development of interventions that are compatible with and respectful of the local cultural identity.

These general objectives are developed into a series of specific objectives that this work aims to achieve:

  • To study and record in detail the existing traditional architecture in Alpartir, identifying all those vernacular constructions that are worthy of protection by local planning and determining the elements and values on which this merit is based.
  • To analyse in depth the current urban planning in Alpartir, evaluating the influence of the different determinations contained in it on the conservation of traditional architecture and comparing it with the plans studied previously in order to detect aspects in which its influence on this heritage can be improved.
  • To generate a model tool that gathers the results of the study of the planning and traditional architecture of the locality that is the object of the pilot project and develops them to create a framework that allows the implementation of criteria for the conservation of local traditional architecture in the urban management of the locality. In the development of this objective, special attention has been paid to the reproducibility of the resource generated in other surrounding municipalities.
  • Encourage the Administration’s involvement in the implementation of the guidelines, involving and involving municipal technicians in the process of analysing and developing the tool.
  • Raise awareness of the value of traditional architecture and encourage acceptance of the resources to be implemented by the community, through citizen participation actions.
  • Raise awareness about the value of traditional architecture through outreach activities that emphasize the irreplaceable nature of this architecture and the importance of its preservation.

LINE OF RESEARCH: Strategic management of heritage resources. Urban landscape and cultural landscape.

AUTHOR: Fº Javier Gómez Patrocinio, Laura Villacampa

Estancias 2022: Mudéjar Smart 3D. Digitalisation strategy for Mudejar Territory

Mudejar Smart 3D. Digitalisation strategy for Mudéjar territory

The project has worked on the drafting of a digitalisation strategy for Territorio Mudéjar that is adapted to the specific circumstances of the territory and its heritage.

The European Commission has recommended that Member States accelerate the digitisation of monuments, cultural heritage sites, objects and artefacts in order to protect and preserve them for future generations. It also seeks to boost their re-use in areas such as education, sustainable tourism and the creative cultural sectors. To this end, member states are encouraged to digitise as many monuments as possible by 2030.

This data should be included in the new version of the Commission Recommendation revising the Recommendation issued on 27 October 2011 on the digitisation and online accessibility of cultural material and digital preservation, which has served as the basis for the study of the digitisation strategy of Territorio Mudéjar.

While awaiting new recommendations and directives, Territorio Mudéjar has launched its strategy to address the challenges of smart digitisation of heritage. Some of these challenges include the acquisition of 3D virtual models, the relationship between geometric and cultural-historical description of heritage objects, the organisation of digital objects with appropriate metadata, the presentation and display of 3D objects for non-specialised users, the development of attractive 3D content, the creation of open repositories, and the use of 3D printing technologies.

Territorio Mudéjar seeks with this stay to follow the principles of the UNESCO Digital Heritage Conservation Charter, recognising that digital archives require specific production, maintenance and management to preserve them. These digital resources have a lasting value and constitute a heritage that must be protected and preserved for present and future generations. Therefore, it is considered essential to create a specific strategy for the digitisation, conservation, reuse and efficient management of digital heritage in the localities of Territorio Mudéjar, based on principles of sustainable management, cultural and heritage awareness, and international scope.

The strategy is based on 4 pillars that are applied to all the projects carried out in Territorio Mudéjar and whose piloting has been carried out with the digitisation by means of convergent photogrammetry and bringing the alfarjes of the churches of Cervera de la Cañada, Torralba de Ribota and Tobed online.

Pillar I: Maintenance and updating of the strategy: The strategy will be reviewed and updated annually to adapt to European recommendations and new technologies. A committee of experts will be set up to carry out this task.

Pillar II: Reuse and creation of interoperable archives: Standards have been established to ensure that all digitisations are interoperable and can be reused for other purposes. The recommendations and quality criteria set out in the strategy will be followed.

Pillar III: Harmonising metadata and making it available online: The Linked Open Data system promoted by Europeana has been adopted to publish structured data and link related resources. A balance is sought between the rights of creators and public access to digital heritage.

Pillar IV: Communication and dissemination: It is considered important to digitise all phases of the process, not only for quality and traceability, but also to facilitate communication and transfer of the work done.

LINE OF RESEARCH: New perspectives on Mudejar art. Management.

AUTHOR: Gianluca Vita, Marco Lucchini

Estancias 2022: Assessment of the muslim-friendly potential of Territorio Mudéjar for the reception of knowledge tourism.

Assessment of the muslim-friendly potential of Territorio Mudéjar for the reception of knowledge tourism.

The research project “Assessment of the Muslim-friendly potential of Mudejar Territory for the reception of knowledge tourism” has focused on the evaluation of the resources available in the territory to configure in the short term a coordinated offer to attract Muslim tourists. The Muslim Friendly traveller is an unexplored opportunity to boost the economic and tourist activity of the towns that make up the Mudejar Territory.

Considering previous experiences in Western Andalusia and Algarve-Alentejo, it is possible to group tourist resources adapted to this tourism profile around the Mudejar heritage of the selected localities. The logistical opportunity represented by the AVE connection with Calatayud could facilitate the marketing of a Mudejar-friendly route for Muslim tourism that already visits the peninsula, and which normally focuses on Eastern Andalusia.

The municipalities selected for the study are Calatayud, Morata del Jiloca, Maluenda and Belmonte de Gracián. They all belong to the Comarca of Calatayud, which has been chosen as the starting point due to its AVE connection with Madrid (55 minutes).

Taking into account the current preference of Muslim travellers for Andalusia, the proposal is to use the AVE station as a logistical node to enable tourists to travel to Aragon for a first contact with the Mudejar heritage in less than an hour. Once in Calatayud, private transport is necessary, due to the scarce interconnection of territories and localities in the region.

The target profile has been identified as travellers from Europe and the Gulf who are looking for experiences that are different from the current offer. They are high-income, English-speaking tourists who can travel semi-independently, but for whom a narrative that awakens their interest in the territory and its heritage is still necessary, as well as the possibility of specialised guides and access to heritage interiors.

Medium-term objectives should focus on:

  • Make up for logistical shortcomings (lack of connections beyond Calatayud) with a personalised transport model that reinforces the uniqueness of the places.
  • To strengthen the short trip offer by consolidating and adapting the tourism business model.
  • Create a grouping of the heritage offer and tourism assets (designing a programme that combines heritage and natural attractions).
  • To work on a narrative, reinforced with signposting materials, that allows us to understand the historical coexistence of the population in the Aragonese territory.

LINE OF RESEARCH: Strategic management of Mudejar heritage. Cultural landscape and urban landscape.

AUTHOR: Dr Bárbara Ruiz Bejarano.

CALL FOR APPLICATIONS: Research stays and projects 2022

4th Call for Research Stays and Projects Gonzalo M. Borrás Gualis.

4th Call for Research Stays
Submission deadline: July 20.

Territorio Mudéjar is hosting the fourth edition of the Gonzalo M. Borrás Gualis Research and Project Internships, designed to directly support the work of researchers and project promoters who want to contribute to the development of communities through the responsible and sustainable use of cultural and natural heritage resources.

Territorio Mudéjar is an association of town councils, currently thirty-six member town councils and one collaborating partner, whose objective is to consolidate a unified and collaborative management network for the use of the historical and artistic resources linked to the important Mudejarartistic resources linked to the important Mudejar heritage , understanding them as a driving force for the development of the villages and as an and as an element of identity for the maintenance of the communities that make up our territory.

Our programme of actions for the coming years has been designed in accordance with the strategic lines defined by the defined by the ” Roadmap of the Council of the European Union 2019- 2022″, which2022″ which, aligned with the goals of the 2030 Agenda, have as a guiding principle that “the cultural identity of territories will contribute to territories will contribute to sustainable social and economic development by differentiating markets and in turn allowing their integration into a diversified a diversified economy that can ensure their future success.

The projects carried out in 2021, and the implementation of actions derived from projects in previous calls for proposals, have consolidated this initiative as one of our most important lines of work, based on the development of actions that enhance the retention and attraction of talent, actions aimed at building highly qualified professional networks linked to the use of historical, artistic, and cultural resources, contributing to medium- and long-term territorial development.

Dedicated to Professor Gonzalo M. Borrás Gualis, a staunch defender of the management of Aragonese heritage and of the territory, as an action of the people and as an innovative field of work full of future. His work exemplified with perfect coherence the possibility of combining research work of high scientific impact with a commitment to the land and its people. of high scientific impact with a commitment to the land and its people, not only favouring the knowledge, conservation and dissemination of its historical-artistic heritage, but also by modernising work processes and by proposing innovative innovation projects in which natural, cultural and heritage resources are a key element in the future of the towns.

FOCUS
Transdisciplinary thinking as a tool for innovation.

The Mudéjar Territory digitalization strategy

The management of historical, artistic, and cultural heritage is evolving rapidly thanks to digital technologies. The current challenge is to apply a strategic vision to these unprecedented processes and opportunities offered by new technologies and utilize them as efficiently as possible, ensuring that the efforts made during this boom are sustainable and allow for the development of future projects.

Digitalization should not be an end in itself, but rather a driving force for improving heritage management efforts, taking into account the different possibilities that digitalization offers as a tool for conservation, dissemination, knowledge, and recognition of value. It should also take into account that new opportunities can arise from it in the form of projects that, without the use of these tools, would have a lower degree of scope, relevance, or specialization.

Therefore, at Territorio Mudéjar we are working on a clear strategy, still in the development phase in some of its aspects, which serves as a guide prior to carrying out any action in future projects and which is also inclusive of the actions already carried out in its different municipalities and in previous calls, applying the principle of reusing and improving all initiatives already carried out or underway. This strategy is adapted to the latest recommendations of the European Commission and also takes into account the standards of the most commonly used platforms and repositories such as Europeana or Google Arts.

The 4th call for Gonzalo M. Borrás Gualis Research Fellowships reaffirms our vision of applied research in heritage management that seeks real impact on localities by fostering networking. Once the various experiences and projects derived from them are underway, we aim to work with all the resources already created to establish quality and strategic parameters that will contribute to a dynamic digitalization strategy focused on improving heritage management.

For this reason, one of the criteria introduced this year in the call for stays is that all deliverables in digital version (photographs, videos, digital models, audio files, etc.) comply with the provisions of the recently published Study on quality in 3D digitisation of tangible cultural heritage: mapping parameters, formats, standards, benchmarks, methodologies, and guidelines and follow the lines of work indicated in the recommendation of 10/11/2021 on a common European data space for cultural heritage, thus adapting the quality criteria established in the Mudejar Territory Digitisation Strategy.

All the beneficiaries of the aid will receive information and training on the the DigitisationStrategy of Territorio Mudéjar during the first phase of their the first phase of their project and they will have a specific continuous specific ongoing monitoring during its development to help them comply with it.

DISRUPTIVE THINKING FROM ARTISTIC PRACTICE

Territorio Mudéjar is emerging as a place of action and creativity from areas often place of action and creativity from areas that are often ordered and differentiated and differentiated areas that often dissolve boundaries and take us to places that are complex to manage.

In this sense, the new call offers renewed areas of work and introduces a new area of ​​knowledge linked to artistic creation projects with a strong connection to the territory, landscape, and/or heritage sites.

This new workspace allows us to take the first steps in our “artist residency” model, with the goal of understanding the heritage space and its context as a multifaceted space.

This area is oriented towards research, experimentation, exchange, learning, critical reflection and the dissemination of local practices and knowledge, through dialogue between artisticresearch, communities, territory, places and non-places.

The heritage we call “Mudejar” presents itself to us as a disruption in medieval art, an enclave between Western art and Hispano-Muslim art that still raises questions and captivates all who experience and study it.

This new area of ​​work and knowledge aims to explore emotion and foster creative thinking by generating spaces for dialogue and points of departure between art, science, and technology.

It’s about opening up new processes and directions of knowledge, which are often difficult to channel, to explore new paths through artistic practice with an eye toward the development and preservation of communities and their inhabitants.

BASES

1/ Subject matter and scope

The purpose of this call is to award four research stays and two runner-up prizes to researchers and professionals in the management of cultural and natural heritage for the development of a highly innovative territorial research project within one of the fields of activity or work specified below.

Proposals may address zero or preparatory phases, development phases or piloting and testing phases of ongoing projects.

Proposals must include as a fundamental part of their development a justified physical stay in one or more of the localities of Territorio Mudéjar. The projects presented must demonstrate a direct impact on at least three partner towns of Territorio Mudéjar and provide evidence of the influence of this impact on the rest of the territory.

Objectives:

  • To promote the knowledge of the rural territory from its Mudejar identity through innovative approaches whose main purpose is to have a positive impact on the villages.
  • To incentivise work with a high territorial impact developed from the experience of people’s habitability.
  • To help the creation and implementation of a working network under a common vision of the possibilities of heritage, cultural and natural resources that helps to strengthen the rest of the sectors through interdisciplinary and collaborative work.
  • To create mechanisms for social participation in the field of heritage resource management from a territorial perspective.

Specific objectives:

  • To promote knowledge of heritage resources in order to encourage the implementation of projects, contribute to better protection and promote the conservation of the Mudejar heritage of the villages.
  • Contribute to a better understanding of UNESCO World Heritage and the benefits it brings to the territory as an international brand.
  • To give special support to projects that refer to the previous sections and that include two or more localities in the Mudejar Territory.
  • To support projects that serve as a framework for action for a wide range of sites or assets, or that propose solutions and formulas that contribute to improving the sustainability and management capacities of Mudejar Heritage at a general level.
  • Support projects that help to promote the social function of cultural heritage.

The areas covered by the call are the following:

AREA 1. New perspectives on Mudejar art

  • Updating data and knowledge on Mudejar heritage in all its diversity: monumental, urban, ethnographic, linguistic, agricultural, hydraulic, geographical, materials, processes, etc.
  • Technical languages ​​applied to Mudejar: planimetry, photogrammetry and 3D Mudejar.
  • Geolocation, cartography and maps.
  • Any topic that allows us to expand the scientific basis on Mudejar art.

AREA 2. Strategic management of Mudejar heritage. Cultural Landscape and Urban Landscape

  • New models of use beyond the classic concept of “tourist or recreational use”
  • Studies of physical, economic and intellectual accessibility
  • Future models for conservation or intervention.
  • Heritage resources and people’s actions
  • Natural and social contexts
  • Interactions between landscape and monumentality

AREA 3. Mudejar heritage: Communication, dissemination and social function as a key element of territorial development

  • Mudejar heritage and media
  • New media discourses
  • Interpretation and accessibility methods for knowledge of Mudejar heritage
  • Emotional bonding as a key element for the care, protection, and management of assets.
  • Population contexts: The value of intergenerational experience
  • Social participation in the valorization, exchange, and collective construction of knowledge and new forms of learning.

AREA 4. Laboratory for “Artist Residencies.” Mudejar Territory as a space for exploring new avenues through artistic thought.

  • Artistic creation and research from the intellectual concept and its reflection in the material, form or processes that characterise Mudejar heritage.
  • Crafts as a living space past, present and future. New considerations from creative thinking or from historical use linked to the establishment and maintenance of historical and current communities.
  • Sound, acoustics, speech, looking and listening. The heritage space as a space for emotional learning of contents.
  • The exploration of an “other place”, real or imaginary, specific or heterogeneous, natural or artificial, temporary or timeless in the heritage space.
  • The construction of the virtual space or metaverse from the need for the existence of the physical heritage space as a connecting thread. Thoughts, proposals and possibilities.

The procedure for awarding grants will be processed on a competitive basis according to the assessment criteria established in the call for applications and, in accordance with Article 22.1 of Law 38/2003, of 17 November, General Law on Subsidies.

2/ Applicants

Proposals may be submitted by natural persons and groups of natural persons without legal personality who fulfil all the requirements of this call for proposals.

The applicant (or group of applicants) may be at an early or intermediate stage of their research career or professional activity and must be able to demonstrate:

  • Higher education related to the areas covered by the call.
  • Documentary accreditation of a minimum of two years of research or professional experience – paid or unpaid –
  • A professional career will be considered equivalent to the completion of specialized studies related to the management of cultural, historical, and artistic heritage, or to any of the proposed work areas, which add up to a minimum of two effective years of training and in which work has been carried out using “Project” methodologies.

The call is not open to legal entities of any kind: companies, partnerships, associations, communities of property or groups under any other type of legal associative formula.

When the project is submitted by two or more persons, the formula is called “team” and each member of the team must be accredited individually.

If the project submitted is part of a research project linked to a university, public research centre or private (non-profit) centre, this must be indicated in the project report.

The acceptance of the project and the development of the stay is compatible with other professional activities as long as the compatibility mode is specified and justified in the project report.

The project submitted may have other sources of funding as long as they are complementary and are specified in the report.

Total income may never exceed the development costs of the projects.

3/ Requirements

  • Hold a Bachelor’s degree, Graduate or Architect’s degree or equivalent.
  • Master’s degree specializing in heritage and/or in the various areas related to heritage, or proof of a minimum of two years of research experience and/or professional career in the field in which the proposal is developed (whether paid or not).
  • Be up to date with their tax and social security obligations, as well as accrediting compliance with obligations for the reimbursement of subsidies.
  • Not be subject to any of the causes established in art. 13 of the LGS.

4/ Deadline for submission

The deadline for submitting applications is Wednesday, July 20, 2022.

Proposals sent by e-mail will be accepted until 23.59 hours (Spanish time).

If the application contains errors that can be rectified, the organisation will inform the applicant so that, within a period of three days from the date of communication, they can proceed to rectify them as an essential condition for the application to be taken into account in the evaluation process.

5/ Characteristics and conditions

Period: The project and internship schedule can be completed until December 24, 2022. The project completion report must be submitted by December 29, 2022.

Duration: Proposals must be developed within a minimum of THREE months and a maximum of FIVE months.

Allocation: Projects will have a maximum financial allocation of €6,000.00 (STAYS) and €4,000.00 (ACCESIT) which must be justified in the project report according to the expenses indicated in the following section.

Expenses attributable to the grant: In all proposals, the budget must identify the concepts subject to and directly derived from the needs of the project—for example: expenses derived from the development of the work, materials, travel, maintenance, accommodation, etc.—including, if applicable, the corresponding taxes, as well as payment for reproduction, exhibition, and public communication rights, if the project requires it.

Proposals included in Area 4 must also include, if the project requires it, all the elements necessary for the complete execution of the artistic work: materials, permits, auxiliary means, etc.

In the event that the project has other sources of funding, the following must be specified: Entity, duration, actions financed (object and content) and to which part of the project it is addressed.

Compatibility: The development of the stay is compatible with other work, professional or research activities justified to the organisation. The project must indicate the degree of compatibility and the method of work to be carried out in order to avoid overlapping and non-compliance with the conditions indicated in this call.

Number of calls: Beneficiaries may not obtain full support in more than two consecutive calls for the same project. Therefore, resident researchers who have been beneficiaries in the last two calls will not be eligible to apply for the call and will be excluded if they do so.

** Exceptionally, researchers who have not exceeded the amount of €12,000.00 in two consecutive calls may be considered as beneficiaries if they have been awarded an accesit in previous years’ calls.

Others:

The beneficiaries will be included in the entity’s civil liability insurance.

Beneficiaries shall not enter into any kind of employment relationship with the entity.

All aid shall be subject to deductions and taxes as stipulated in the legislation in force, which shall be deducted from the corresponding financial envelope.

6/ Applications

Applications should be sent to the Asociación Territorio Mudéjar in digital format to the following e-mail address: info@territoriomudejar.es

  1. Application-Basic identification data of the applicant and the project
  2. Copy of ID card.
  3. Summary of the applicant/s professional career (maximum 2,000 characters)
  4. Project/proposal summary (max. 2,000 characters)
  5. Abbreviated academic and professional CV (max. 5 pages)
  6. Five developed works that, in the applicant’s opinion, are relevant as a starting point for the proposal (Summary of each project of max. 2,000 characters).
  7. Report on the project to be carried out, including (max. 5 pages): Title; Background and current status of the subject; Hypothesis, methodology, work plan and timetable; Description of the specific objectives of the project; Locations directly and indirectly affected by the proposal; Location or locations proposed for the stay and expected length of stay; Detailed budget for the research, which will refer to the amount requested.
  8. Optionally, a letter of recommendation from a relevant person in the field of the proposed work may be provided.
  9. In the case of teams, both the application and the award decision must expressly state the implementation commitments undertaken by each member of the team, as well as the amount of subsidy to be applied by each of them, who will also be considered as beneficiaries. A sole representative or proxy of the grouping must be appointed, with sufficient powers to fulfil the obligations which, as beneficiary, correspond to the grouping. The team will undertake not to dissolve the grouping until the limitation period provided for in Articles 39 and 65 of Law 38/2003 of 17 November 2003 has elapsed.

7/ Selection process and criteria

The project selection process will be carried out on the basis of the evaluations of the Scientific Committee and the entity’s management team, which will draw up a ranking according to the following criteria:

  • Curricular profile, training and previous achievements of the applicant: 10%. The orientation of the curricular profile in relation to the area of work chosen by the applicant will be assessed.
  • Quality of the project and innovative nature of the proposal: 30%. The project must be well thought out and presented in a rigorous and detailed manner. The framework of objectives/actions/resources/budget must be well planned. The timetable must be realistic. The project should provide for its evaluation and future viability.
  • Territory of impact / number of localities involved: 35%. The way in which the project acts on the territory will be assessed. It may be a direct present or future impact, but in any case it will be an essential requirement. It will be highly valued to foresee a realistic impact without falling into the tendentious and mediatic.
  • Complementary activities involving the local population: 15%. An activity involving the local population in the development of the project will be assessed. Involvement does not necessarily have to be through a cultural activity. The introduction of activities that have an unconventional cultural impact will be valued.
  • Digitisation strategy Mudejar Territory: 10%. Adaptation of the expected results to the criteria published for the “Common European Space for Cultural Heritage”. Contribution of ideas and perspectives.

8/ Evaluation and resolution

The decision on the grants will be announced starting Wednesday, July 20, 2022.

The call may be declared totally or partially void and the decision of the commissions shall be final.

Once the call has been resolved, the list of beneficiaries and the composition of the evaluation commission will be published on the Territorio Mudéjar Association’s website www.territoriomudejar.es.

In no case will individualised information on the applications received or on the deliberation of the evaluation committee be provided.

9/ Formalisation, justification and payment of aid

Formalization: Beneficiaries must sign the acceptance agreement, which will serve as an essential document for receiving the grant, before the project start date, according to the schedule, and no later than August 1, 2022. Once the acceptance agreement has been signed, they must join the project on the date indicated on the schedule.

Payment: The grant will be paid in three instalments: 40% at the start, once the acceptance commitment has been signed; 40% halfway through the project; and the remaining 20% on delivery of the final project report. These conditions will be general to all beneficiaries unless, exceptionally, the project report justifies the need for a different financial distribution over time.

Justification and presentation of results:

Beneficiaries will be obliged to justify compliance with the requirements and conditions established in this call for proposals by means of: An intermediate report halfway through the stay that allows the progress of the project to be evaluated. A final report on digital support of the project describing objectives, fulfilment of aims and results; and a financial report justifying the cost of the activities carried out.

Beneficiaries must deliver to Territorio Mudéjar all the results derived from the project financed according to the proposal presented in the application, it being understood that this proposal will act as a contractual document for the grants.

In the case of works subject to intellectual property, current legislation will be applied with regard to authorship and the transfer of rights of use and reproduction will be assigned to Territorio Mudéjar.

Financial control:

The interim report shall include a revision of the estimated budget either confirming its continuity or proposing necessary adjustments where justified.

The final report shall include a detailed financial report as follows:

  • A list of expenses incurred indicating the creditor, amount, date of issue and payment. As the project includes an estimated budget, the list of expenses will be classified according to the items of the subsidised project or activity. Where applicable, any deviations that may have occurred in the development of the project must be justified.
  • Proof of payment: Invoices, tickets or supporting documents and proof of payment. If the payment has been made in cash, this must be indicated on the expense document with the concept correctly specified.
  • The justification of fees shall be made by sworn declaration and shall be detailed in the report according to the results developed, specifying the working hours assigned to the actions carried out.
  • The justification of mileage expenses shall be made by means of a sworn statement and a detail shall be included in the report according to the results developed, specifying the journeys made and assigned to specific actions.

Non-compliance:

The aid will be cancelled and the amounts received will be reimbursed when the conditions established in these rules are not fulfilled and in general in the cases established in article 37 of the General Law on Subsidies.

10/ Dissemination of project results

The Asociación Territorio Mudéjar may request the collaboration of the beneficiaries of the grants in activities to disseminate the projects. To this end, the beneficiary will provide the Asociación Territorio Mudéjar with all the information and documentation required and will grant the latter, free of charge, the appropriate rights for the dissemination of the results.

Beneficiaries must mention the source of the aid on their materials or results using the phrase “Project carried out with funding from Territorio Mudéjar through the Gonzalo M. Borrás Gualis 2022 Estancias call” and include the entity’s logo whenever possible.

For its part, the association Territorio Mudéjar will always identify the authorship of the projects.

11/ Acceptance of the rules

Participation in this call for applications implies acceptance of its rules and its decision, which shall be final, as well as the waiver of any type of claim.

Exceptionally and for duly justified reasons, the Asociación Territorio Mudéjar reserves the right to interpret and modify the wording of the rules in order to clarify or specify their content, without this implying a substantial or arbitrary alteration of the same.

For any queries, applicants may contact the Asociación Territorio Mudéjar by e-mail at info@territoriomudejar.es